Rating: * * *

Impact: Soch Lo is what we call a Chhupa Rustam. The most invisible film of our times probably that only used facebook to market itself Soch Lo will leave quite a mark. Ofcourse the unfortunate part is that the westerners discovered the fire in it way before we did. It is almost mind blowing to see a novice writer, director and actor play all three roles all at once and that too with such precision. Soch Lo is a suspense thriller with vignettes of romance and oodles of ambivalence.

Plot: The movie opens with a young man wakes up badly injured in the middle of a desert. While the sudden shifts and pans in the opening scene are peeving at first, the marvelous camerawork and perfect aesthetics of the protagonist crawling in the sand remain with you till the end.  The young man remembers nothing. As the movie unfolds we realise that he was married and needs to now look for his missing wife. What follows after that is unexpected and bind boggling.
 
Favourite Scenes: My favourite scenes include the opening scene, the part where Karanveer and Paali go to the dhaba, the part where Paali is killed.

Music: Not noteworthy.

USP: The beauty of Soch Lo lies in the fact that it is so engaging that it keeps us hooked till the end. You want to know how the suspense will unfold.

Performances: The actors are new and need some more films to get honed at the craft but nevertheless the product they deliver is quite praiseworthy.